Material Poetics
Each piece begins as a reflection in metal — silver and gold shaped in response to the body, composed through weight, rhythm, and surface. The inaugural series focuses on sculptural ear cuffs: fragments of architecture scaled to the ear, held in place not by fastenings, but by proportion.
This is a collection that evolves in dialogue with form. New limited pieces will be introduced each month. Continuations in this sculptural language, refined, distinct, and always shaped through process.
Signature Swirl
The lightest in the Swirl series. A refined composition sculpted to trace the ear’s contour with fluid asymmetry.
Bold Swirl
The medium-weight in the Swirl series. Fuller in curve, shaped with sculptural balance and considered proportion.
A sculptural conversation in two parts.
The duo compositions within the Swirl series explore variation through balance, composed to trace the ear in layered asymmetry.
Designed for interplay between volume and contour, these forms may be worn together or apart.
Open Heart
A softened abstraction. Curves ripple in fluid asymmetry—an expression of depth, composed in form.
Swirls, undulating silhouettes, intuitive design.
Heartbeat
Two sculpted lines rise and fall, distinct yet inseparable. A rhythmic composition shaped in silver.
Sculpted Milgrain
An interplay of weight and intricacy. Contours are softened yet structured, edged in fine detail, composed for balance and presence.
Material Poetics draws its earliest language from the Florentine Dress, a sculptural showpiece now exhibited at the National Museum of Scotland. Its principles of connection, form, and precision continue through each piece in this evolving series.
18ct Gold
Select forms in 18ct gold.
Refined in elemental weight and cast to order, each piece carries forward the sculptural language in a new material expression.
